NOVAC Blog

Indie Films hit Jazz Fest with Sync Up Cinema

(Image from Tchoupitoulas)

Just when you think you’re full up on the back beats, world music, and crawfish pies that Jazz Fest has in store, this year’s Sync Up team and the crew at NOVAC want you to save some room for a little home-grown cinema. As an outgrowth of last year’s successful Sync Up conference, originally designed as an entertainment industry event to coincide with Jazz Fest, this year the conference will include a special component to celebrate Louisiana films and filmmakers at Sync Up Cinema.

Some of the films to screen are the much anticipated documentary Tchoupitoulas by brothers Bill and Turner Ross as well as the everyone’s favorite Academy Award-winning short, The Fantastic Flying Books of Mr. Morris Lessmore by Louisiana’s own William Joyce and Brandon Oldenburg. All of the films will screen on April 30th and May 1st in the Stern Auditorium at the New Orleans Museum of Art.  And put away those Brass Passes, guys because admission to Sync Up Cinema is free and no advance registration is required.  For a complete screening schedule click here.

Sync Up Cinema is made possible with support from: 

Louisiana Entertainment, NOVATOUR, NODE, audiosocket, Creative Allies, Toledano Entertainment and Arts Law, New Orleans Film Society, NOVAC, New Orleans Film Alliance, People’s Health, New Orleans Museum of Art, Scene Louisiana Entertainment Magazine, New Orleans Metropolitan Convention & Visitors Bureau, Inc., Court 13

Lets Make a Deal: NOVAC Will Bring Together Filmmakers, Attorneys and Loyola Law Students at April’s MAKING THE DEAL

Whether you’s are an indie filmmaker with a project in development or a law student with a taste for IP and entertainment law, NOVAC may have just what you need to kick your project into gear. On April 14 NOVAC members, filmmakers and members of Loyola College of Law’s Sports and Entertainment Law Society (SELS) will come together at NOVAC’s Making the Deal, presented by Baker Donelson Bearman, Caldwell & Berkowiz, PC to learn the ins and outs of indie film financing in the current marketplace, and hopefully pick up a contact or two while they are at it.  Hosted by Loyola’s SELS Making the Deal will take place at Loyola’s law school campus from 10AM – 5PM with a networking event to follow.

Taught by seasoned entertainment attorney, author and lecturer John Cones, Making the Deal will cover producer packages, an overview of film finance, the relationship between film distribution and finance, investor financing strategies and more.

“It is absolutely essential,” says Cones, “for independent filmmakers to have a basic understanding of what their film finance options are, because almost all of them will, at one time or another in their careers, set out to become an entrepreneurial filmmaker and seek to find financing for a project.”

Cones has lectured extensively on investor entertainment financing and film distribution deals at seminars in Los Angeles, Houston, and Las Vegas as well as at the American Film Institute, UCLA extension, USC – Television Alumni Association and more.

Making the Deal will not only provide participants with critical information necessary to secure investors, but it will also connect local filmmakers to future entertainment attorneys so that together, they may package films for financing and distribution in the future. Featuring guest lecturers from the National Law Firm Baker Donelson, Making the Deal will also cover legal and other resources available to the growing film industry here in New Orleans.

NOVAC caught up with Making the Deal guest speaker and Baker Donelson of Council Rob Wollfarth who insisted ”programs such as [Making the Deal] are a good way to connect those in the industry, and those hoping to become a part of the industry, to local professionals who can provide the services they need and who are also interested in helping them grow the film business in New Orleans.”

Whitney Kelem, president of SELS is also excited about partnering with NOVAC on Making the Deal. “NOVAC is an organization that offers so much to the burgeoning film community and SELS is thrilled to be able to expose law students to issues of film financing, an area that many of them may not even realize is a potential source of legal work and that will give them an opportunity to begin thinking about alternative ways they can apply their legal expertise,” says Kelem.

Following the course, participants will mix and mingle at the followup networking event where they will have the opportunity to discuss their projects, diverse fields and how they may work together in the future.  Tuition for Making the Deal is $75 for NOVAC members and $125 for non-members.  For more information about Making the Deal, instructor John Cones or to register, click here or call the NOVAC offices at 504-940-5780.

So sign up and get cracking on those producer packages and financing strategies.  Isn’t it about time you made that deal?

DON’T BE SHY – LET US KNOW YOU’RE REGISTERING: #MakingTheDeal

 

 

 

 

MAKING THE DEAL IS MADE POSSIBLE WITH SUPPORT FROM

Presenting Sponsor

Hosting Sponsor

Additional Support From


 

NOVAC CALLS FOR SUBMISSIONS: 40 Second Film Festival

 Having nurtured the voices and artistic expression of New Orleans and Louisiana filmmakers for four decades, NOVAC is celebrating its 40th Anniversary by showcasing the community voices  that have taken the New Orleans Video Access Center from its grass-roots beginnings to the dynamic production hub and training center it is today.

The 40 Second Film Festival, scheduled to coincide with NOVAC’s 40th Anniversary Gala is now accepting film submissions 40 seconds in length from NOVAC and community members in 3  categories: Short Cuts, Young People’s Corner and Citizen Voices.  You don’t need a fancy camera rig or film school pedigree, just a video, a vision and a voice.

Jury members will judge the official selections in three categories:

Short Cuts – Is your film an official selection in an upcoming film fest like the New Orleans Film Fest or Third Street? Do you have a picture or work in progress that you would like to show off or a teaser that has been dying to find a home outside of vimeo?  NOVAC welcomes filmmakers with 40 second trailers or teasers promoting a short or feature film.

Young People’s Corner – NOVAC understands that the future of our city and state and the sustainability of the film and creative industries in Louisiana rests in the hands of our young people and their passion for telling their own stories. The 40 second teasers, trailers or films in this category must be completed by filmmakers 18 and under.

Citizen Voices – No need for fancy cameras or tons of filmmaking pedigre, just a lot of heart! NOVAC welcomes members and anyone with access to a video-camera who wish to express their love affair with New Orleans or any parish in Louisiana.  From the decadent foods and festivals of the Big Easy and swamps of Terrebonne to the oyster beds of St. Bernard Parish and the Creole legacy of Cane River we want to hear your stories.

Submissions Must Include:

Film Entry – Online submissions are preferred, however NOVAC will accept DVD submissions.  Online submissions should be password protected and uploaded to an approved video host such as: Vimeo, YouTube or Daily Motion.  Please indicate the URL and Password in your application. Mailed submissions should be post-marked no later than July 31, 2012 and sent to the address below.

Entry Fee  - Entry Fees must be paid through the NOVAC website by clicking on one of the categories below. All submissions include admission to the NOVAC anniversary bash: NOVAC@40: Fast. Forward. in September where official selections will be screened and 40 Second Film Festival award winners will be announced. Fees are as follows:

Application – Submissions must include complete application forms available by clicking here.

 

Film Festivals: The Long and Short of it with NOFF Program Director Clint Bowie

Before you comb withoutabox for your next group of festival submissions, print your hundredth promotional push-card, or stuff your next DVD screener into that padded envelope, consider some advice from guest blogger and New Orleans Film Festival (NOFF) Program Director Clint Bowie. And with NOFF submissions now open and NOVAC’s 40 second film festival gearing up for the fall, this may be just the extra nudge or advice you need.

New Orleans Film Festival Director Clint Bowie

People often ask what it takes to get a film accepted into the New Orleans Film Festival—and I wish I could simply answer, “make a really great film.” The problem with that answer is that we receive more “really great films” than we have room for. In 2011, for example, we received over 900 submissions, but we could only screen around 15% (which was around 140, and that was about 40 more than we accepted the year before). Even though the other 85% all received the same rejection notice, that’s not to say they were all bad. In fact, we probably could have screened more like 30% of all submitted films without compromising the quality of the festival. Alas, budgets, time, and space don’t allow us to show every good film that submits, so we have to make some very difficult decisions. (On the very day that notification emails went out last year, we had to cut 50 films that we really wanted to screen but simply didn’t have room for. It’s hard, but it has to be done.)

Know Your Film and What You Want
There are a number of things you can do to ensure that your film doesn’t end up being one of those that gets left out. For starters, make sure that your film is a good fit for the festival that you’re submitting to. Check out their previous line-ups. Would your film fit in nicely with their selections last year?

Before even submitting to festivals, it’s important to think about what you’d like to get out of your festival experience. Do you simply want your film to be seen? Do you want to connect with other filmmakers at the festival? Do you just want the “official selection” laurel to put on your website? Are you hoping your film will find distribution?

If the latter is what you’re interested in, I’ll be frank—it’s probably not going to happen. The myth of indie films being discovered and finding distribution at festivals is mostly just that: a myth. These days, festivals themselves serve as the main distribution method for most indie films. If they’re lucky, some features will end up at libraries and maybe on Netflix, but the life of a short film pretty much ends after the festival circuit.

So before choosing which festivals to submit to, it’s important to think about who you want to see your film. Does your film target a niche audience (environmental, social issue, women’s interest, LGBT, ethnic, etc.)? Are you looking to reach industry professionals? Or audiences in a certain region? Think about who you want to see your film, then research the festivals you’re interested in and find out who makes up their primary audience. READ FULL ARTICLE.

 

IFP Accepts Submissions to Independent Filmmaker Labs

Are you a first time filmmaker with a rough-cut or a feature in post? IFP’s Independent  Filmmaker Labs, the  year-long fellowship supporting independent filmmakers when they need it most: through the completion,  marketing, and distribution of their first features, are now  accepting submission from all first-time documentary and narrative feature directors with films in  post-production. Structured in three week-long components held over the year, the Labs offer  personalized attention on post-production, audience building, and distribution strategies in the digital age, followed by continued support from IFP as the project premieres in the marketplace.

 

Recent Lab Project alumni now in theaters include: Dee Rees’ Pariah (Focus Features), Alrick Brown’s Kinyarwanda (AFFRM), and Victoria Mahoney’s Yelling to the Sky (MPI), being released this spring. Premieres at 2012 festivals have included An Oversimplification of Her Beauty (Sundance), Welcome to Pine Hill (Slamdance, Grand Jury Award), Una Noche (Berlin), and The Light in Her Eyes and Smokin’ Fish (IDFA 2011) - with more Lab alumni set for upcoming festivals and broadcast.

DEADLINES: March 9, 2012 (Documentaries), April 6, 2012 (Narratives)

Think you have what it takes? To apply or for more information, click here.

Looking Back at a Year in Docs

2011 was a great year for Docs, and with the Citizen Voices’ open-source curriculum published and Doing Your Doc coming up this February, NOVAC is basking in the non-fiction frenzy. Check out NOVAC’s highlights of a Year in Docs as well as some docu-goodies waiting in the wings.


Citizen Voices
NOVAC was thrilled to join forces with the New Orleans Film Society on Citizen Voices, a panel discussion and breakout series held at the Louisiana Humanities Center covering ethics, techniques and best practices of non-fiction filmmaking. Presented during the New Orleans Film Festival, topics included ethics of representation, legal issues and fair use, constructing your story, and funding and outreach and contributing to the panel and breakouts were award-winning documentary filmmakers, featured guests for the New Orleans Film Festival and seasoned video-journalists including: Sandra Dixon (Wake Forest University) Rebecca Ferris (Miller’s Tale), Ben Lemoine (The Experiment), Angela Tucker ((A) Sexual), Lusia Dantas (Land of Opportunity), Ada McMahon (bridgethegulfproject.org), Nancy Schwartzman (The Line), Rebecca Snedeker (By Invitation Only, Desire), Tim Watson (Video Veracity) and Bryan Myers (Peabody and Emmy Award Winning Video Journalist).  Missed it? Browse the Citizen Voices videos covering the day’s panel and breakout sessions.

MediaNola Wiki
Citizen Voices was structured during a series of development meetings, where NOVAC and seasoned documentarians worked to design a reference tool for Tulane University’s MediaNola Wiki. This project was not only created for use at Citizen Voices but serves as an open-source curriculum available for any educator or filmmaker interested in developing their non-fiction filmmaking skills or those of their students.  Interested to learn more? Check out the Citizen Voices curriculum at the MediaNOLA Wiki.

If the Children are OK
NOVAC is the proud fiscal sponsor of the documentary film, If the Children are OK. Written and directed by Vincent Morelli.  If the Children are OK follows Louisiana’s beleaguered public school system – featuring students, parents, educators, activists, politicians and more, documenting their personal experiences as well as the massive transformation of  Louisiana’s public school system since Hurricane Katrina. The film examines the film’s subject in the larger context of international educational trends. Pictured: Vincent Morelli

 

And the Nominees Are…
Some killer docs graced the screens in 2011 including Wim Wenders’ Pina, and the highly anticipated Paradise Lost 3: Purgatory, both nominated for Academy Awards. This year NOVAC is thrilled that NOFS and the Prytania are partnering to showcase 2011′s nominees for Best Documentary Short on February 9th, a cant miss opportunity for New Orleans doc lovers. Click here for more on the event and the complete list of nominees. And don’t forget to root for your favorite doc at NOFS’ annual Oscar Party on the big night. Pictured: Image from PINA

 


Doing Your Doc
Kicking off 2012 in high gear, NOVAC is teaming up with the National Association of Latino Independent Producers (NALIP) to co-sponsor, Doing Your Doc: Diverse Visions, Regional Voices, a three part intensive led by renowned documentary doctor, Fernanda Rossi and covering issues effecting every documentary filmmaker.  Doing Your Doc will cover topics like structuring your documentary and trailer mechanics and will also offer filmmakers an opportunity to work one on one with a NALIP mentor. For more information on the syllabus or how you can participate click here. Pictured: Image from DOING YOUR DOC

So there it is my friends, a Year in Docs.  If you are a documentary filmmaker or lover join us at the 2012 docu-jump-off for the screening of Rebel followed by the Doing Your Doc kickoff Q&A on February 10 at Second Line Stages. For more on Rebel or to view the trailer click here.  For more information about Doing Your Doc or to register click here or call 310-395-8880.


3rd Thursdays Kick off in March!

Between the Facebook page updates, your latest twitter movie review, updating that Linkedin page with the latest shoot on your resume, and of course popping into kickstarter or IndieGoGo to donate an Alexander Hamilton to a buddy’s crowd sourcing effort there seems to be no time left for face to face networking.  That’s why NOVAC is bringing back an oldie but a goodie: social networking…in-person.

On March 15th NOVAC will debut 3rd Thursdays, a monthly networking event designed to connect NOVAC friends and members to other local filmmakers, future collaborators, likeminded artists, potential mentors and maybe even your next gig.  Hosted by partner venue, 12 Bar, current NOVAC members will receive drink specials from 6pm-8pm.  So, update your status that you’re heading over to 12 Bar for some 3rd Thursday face-time.  Just be sure to check in.

EVENT DETAILS
WHEN: Every 3rd Thursday of the month from 6pm – 8pm beginning March 15th

WHERE: 12 Bar, 608 Fulton Street, New Orleans (map)

SPECIAL: $2 domestic, $3 rail drinks

For more information about 3rd Thursdays email ashley@novacvideo.org

Calling All Kids: Ender’s Game to Hold Open Casting Call for Young Background Players in January

The beloved sci-fi novel, Ender’s Game and soon to be a major motion picture will shoot in Louisiana and is casting young background performers to play the elite students enrolled at author, Orson Scott Card’s iconic Battle School. Ender’s Game, now in pre-production stars Harrison Ford, Asa Butterfield, Hailee Steinfeld and Abigail Breslin.

Alexis Allen, along with Batherson Casting, are seeking bright and talented kids, teens, and young adults ages 12-21 of all types and ethnic backgrounds.  Home schooled children are especially encouraged as shooting will be during school hours.  Oscar winning director, Gavin Hood will be filming Ender’s Game in New Orleans from February until June 2012, providing those selected with up to 8 weeks of work. Those who wish to be considered should bring a recent snapshot or headshot of themself to the audition. For more information contact Ender’s Game extras casting director, Tom Keeley at NOLAactors@gmail.com.

AUDITION DETAILS

DATE: Thursday, January 19, 2012
LOCATION:  St. Bernard Parish Council Chambers
8201 West Judge Perez Drive, Chalmette, LA (map)
TIME: 3:30 pm – 6:30 pm

Support Provided By

NOVAC Sits Down with Up-and-Comer and NOVAC Success Story: Kate Evans

NOVAC Executive Director, Liz Dunnebacke (ED) sat down with recent NOVAC alumna and Treme Executive Assistant, Kate Evans (KE) about the training she received at the 2011 PA Workforce Training Workshop and how she is finding hard work, success and a home on the set of the hit HBO series.

ED: What is your job?

KE: I’m [Treme Executive Producer] Nina Noble’s assistant. My consistent responsibilities include maintaining producers’ calendar (4 EP’s, 1 Co-Producer, 1 Producer and  1 Associate Producer) and coordinating Nina’s approval of actors’ time off. I try to stay on top of Nina’s schedule but she’s pretty hard to keep up with. I’m pretty much her liaison to anybody on the show other than the Producers or Writers.

ED: What are your hours?

KE: Typically I work 8 to 8.

ED: What has been the most surprising thing about the job?

KE: The most surprising aspect of my job is the constant change in what I’m working on. There is a lot of consistency in terms of tasks but the work is always different, which is fun. Other than that there haven’t been any big surprises.

ED: How did you land the job?

Nina Noble on set with "Treme" creator David Simon

KE: Through NOVAC. I was brought in for an interview with Associate Producer Laura Schweigman and told them about my interest in legal matters. She asked me to come in and work on a 2-week project reviewing transportation contracts. At the end of the stint, she called and asked me to come talk to her and Nina on set and I said, “OK.” She said, “You’re not going to ask why?” I said, “If Nina and you want me to come talk to you, I’m going to do it. I’m not going to ask questions.” I had two interviews and they asked if I wanted to be Nina’s assistant full-time.

NOVAC’s program gave me a healthy perspective on the world of film production, probably the strongest one could have without having actually worked in it.

ED: Do you feel like the training from the class prepared you for the work you do today?

KE: Every day at work I remember different things people said in class, things like, “remember who you’re representing and always conduct yourself with respect and a good work ethic.” “Come early and stay late.” When I talk to people on the phone, I try to get them to say their name twice, to know who everyone is and what they do. I try to understand how things work and build a network.

The people at Treme have been great about that. They don’t just want me to come in here and do a job, they want me to understand what I’m doing and why.

ED: What were you doing for work before?

KE: I wasn’t working. I had interned on a project for a while and was looking for work.

NN: We were so glad to learn of the NOVAC workforce development program when we first came to New Orleans on Treme. The fact that a program like this exists in New Orleans means that the city and state are serious about training workers for our industry, and having a plentiful supply of qualified workers is essential for a long running series such as ours. We have partnered successfully with NOVAC on 2 training events since we’ve been here, and found their staff to be professional and connected to the needs of the industry, and really focused on putting people to work.  We’ve hired several graduates of the program and find that they are much better prepared for the demands of film production than those who did not go through this training, which increases their odds of success in this highly competitive business immensely. When we hire a NOVAC graduate we know that they are coming with some familiarity with the day to day operations of a film set, an understanding of film paperwork including call sheets, shooting schedules, etc. and this is a distinct advantage to us as employers.

As a benefit of membership, current NOVAC members have the opportunity to “opt-in” to NOVAC’s Job Referral Program.  To participate, become a NOVAC member today.  

Baton Rouge Celebrates Local Shorts at Third Street Film Fest


Top: Terrebonne, The Price of Flowers Bottom: Lights, Destiny Lives Down the Road


Eleven short films and one feature film will screen at Baton Rouge’s world-class Manship Theatre at the Shaw Center for the Arts on December 30th as part of the inaugural Third Street Film Festival.  The festival, whose mission is to encourage, foster and unite Louisiana’s talented independent filmmakers by providing a state of the art venue to showcase their work, will screen some of the finest short films produced in Louisiana. Bouncing off of the holidays and with everyone in festive spirits, just before New Years Eve, the team at Third Street promise an entertaining night of great movies, local cuisine and performances by musical guests.

The festival will begin at 6:00pm with a series of locally produced shorts including: Compacted, Destiny Lives Down the Road*, Finding Stories in the Rain, Forbidden, goodbyeHello, Lavender and Peroxide, Lights, Night Shift, Prescription Strength Abstinence, The Price of Flowers*, and Terrebonne*.  The feature film, Lord Byron by Zach Godshall will follow the evening’s short film program.

DETAILS

WHEN: December 30, 6:00pm – 11:00pm
WHERE: Manship Theatre at the Shaw Center, 100 Lafayette Street, Baton Rouge, LA
PURCHASE TICKETS HERE 

For up to date information on the Third Street Film Festival visit the festival website or the Third Street Film Festival Facebook page.

* Films written, directed or produced by NOVAC members