Workshops

NOVAC + CAAM Present: The Sauce – a fellowship for emerging Asian American filmmakers in the South

NOVAC is thrilled to announce that, in partnership with CAAM, the Center for Asian American Media, this year generic levitra sellers on line we are launching an innovative filmmaker fellowship!

 

The Sauce aims to engage emerging (ages 18-24) Asian American filmmakers in the American South with resources and mentorship to develop documentary short content. 

 

The Sauce will not only identify and uplift AA filmmakers, it will also create a pipeline of creators connected to the public media infrastructure, laying the groundwork for careers in documentary.

 

What is the sauce?

The Sauce Fellowship is looking for young, emerging creators who have some experience in visual storytelling, but who are interested in learning the basics of documentary filmmaking in a 9-month fellowship program, where they will receive resources, networking opportunities, workshops, mentorship and connection to the distribution platforms of public media.

Asian and Asian American communities have an exciting and diverse history that influences all aspects of culture in the American South –  from cuisine and architecture to dance and fashion. The cultural contributions add a flavor that is unique and buying cheap cialis undeniable: The Sauce. Unfortunately, Eurocentric ideals have historically dominated American media, limiting the portrayal of the rich and diverse history and resilience of cialis buy online the Asian American community. This fellowship provides a platform for Asian American stories to be lifted from a personal levitra cost at walmart perspective. Our goal is to highlight the contributions of various cultural traditions and put words to challenges and wins of the Asian/Asian American australia price per tablet for levitra 20mg communities in the South, while also expanding the pipeline of diverse creators in public media.

Am I eligible?   

If you are ages 18-24, identify as Asian or Asian American, and live in the American South (which we are defining as Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, Puerto Rico, South Carolina, Tennessee, Texas, Virginia, and West Virginia), and you are interested in visual storytelling, then you are eligible.  We are looking for innovative get viagra online thinkers and storytellers, not necessarily people with prior experience in documentary from school or work. Although that’s cool too!  We will be selecting 5 cheap viagra 100mg fellows in 2020.

How do I apply?

Complete this form on Submittable, by November viagra tab 15, 2020. You will find this application non-traditional.  Read levitra professional overnight delivery it carefully, and complete with enthusiasm!

APPLY HERE!

What will the fellowship levitra online in canada require of me?

You will meet twice a month, virtually, with program leads Darcy McKinnon and Saleem Remshawala, for sessions of 2-3 hours, from November 2020 to May 2020.  Schedules of seminars forthcoming. Fellows will receive a stipend for their time, and may be eligible for equipment grants as required.  Not having equipment should not prevent anyone from applying.  Completion of the fellowship will be designed to have participants leave with a completed short documentary between 5 & 10 minutes.

  • Fellows must be able to commit to the calendar of workshop and deliverables in the fellowship, and must have or have access to the minimum amount of equipment (smartphone with great camera, small DSLR camera, sound recording device) to create work at a production value for PBS digital.  
  • Fellows must be comfortable receiving production and editorial feedback on their projects, as well as some editorial changes to ensure compliance with PBS standards.
  • In no case will the fellowship support projects where the production requires activities that are not socially distanced and safe during the COVID-19 pandemic.  We will work with fellows to develop projects and standards that are in compliance.

 

Questions?  Email The Sauce project coordinator Anish Balaji: anish@novacvideo.org

 

ABOUT CAAM

The Center for Asian American Media is a nonprofit organization dedicated to presenting stories that convey the richness and diversity of Asian American experiences to the broadest audience possible. We do this by funding, producing, distributing and exhibiting works in film, television and digital media. For 40 years, CAAM has exposed audiences to new voices and communities, advancing our collective understanding of the American experience through programs specifically designed to engage the Asian American community and the public at large.

 

 

[indie film] protect your project, protect yourself

Entertainment copyright experts Bri Whetstone and Max Hass present an info-packed seminar on copyright in filmmaking!
 
They’ve crafted a curriculum curated to filmmakers that covers the essentials of film copyright and contract law in film. This seminar will give insight into navigating these processes, and provide the space to ask your questions directly of two legal experts.

 

Bri Whetstone worked in Business Affairs at LucasArts in San Francisco where she handled copyright applications, drafted contracts, managed international trademarks, and drafted the Lucas Companies’ social media policy. Bri returned to New Orleans to attend Tulane Law school and focused on entertainment and intellectual property law. Since graduating magna cum laude from law school, Bri has continued to develop an entertainment and intellectual property law practice that had helped numerous musicians, artists, writers, chefs, and filmmakers.

Max Hass is an entertainment attorney and the founder of Action Potential Entertainment, LLC. He has worked with dozens of musicians in the New Orleans music community, as well as entrepreneurs, record labels, publishing companies, film productions, and visual artists. Max has developed and presented copyright workshops for musicians and visual artists and spoken on intellectual property and contract matters at NOVAC, Propeller, the Where Y’Art Gallery, and at conferences in Baton Rouge and Morgan City. He is currently a member of the Louisiana State Bar Association.

 

Seminar Curriculum:

  • Overview of Copyright
    • What is Copyright
    • What Can/Cant Be Copyrighted
    • Derivative Works
    • When Copyright Begins
    • Publication
    • Copyright vs Other forms of Intellectual Property
  • Contract Law in Film
    • Non-Disclosure and Submission Release Agreements
    • Explanation of various entities involved in making a film
      • LLCs
      • Transfer of Copyright
      • Contracts involved – Work for Hire, Employment Agreement, Etc
    • Clearances in Film
    • Release Agreements
    • Tax Incentives in Louisiana for Film

 

 

When: Thursday, May 9, 2019 from 6-8pm

Where: The NOVAC Bywater office, 532 Louisa St.

Tickets are $40 for non-members // $32 for members

Buy Tickets Here

 

 

 

T H A N K  Y O U  E P N O !  Thanks to a generous grant from Emerging Philanthropists of New Orleans, spring workshops have been discounted or fully funded! Check them out at www.emergingphilanthropists.org.

[indie film] learn post sound production from Billy Theriot

 A Post Sound Masterclass, taught by Billy Theriot.

 

Curriculum coming soon!

 

About the instructor:

Billy Theriot‘s sound effects, foley, and dialog editing credits include over 45 feature films, documentaries, and television series. Among those, he has been a foley supervisor, group ADR and sound effects editor on most of Academy Award-winning Steven Soderbergh’s films since 2005 including “Behind The Candelabra” for HBO which won 11 Emmys including best sound mixing. He also has extensive experience in every aspect of post sound from turnover through the final mix and M&E, including all versions for final delivery. 

From 2005 to 2017, he was a foley supervisor, group ADR, and sound effects editor and an ADR mixer at the Swelltone Labs studio, Larry Blake’s post-production sound company in New Orleans. Among the 1000+ sessions he was the ADR mixer/recordist on every episode of the critically-acclaimed HBO series Treme and for the Academy Award best picture nominee Beasts of the Southern Wild, where he was nominated for the Best Sound Editing: Dialogue and ADR in a Feature Film for the 2013 MPSE Golden Reel Awards. 

 

When: Saturday & Sunday, May 18th & 19th, 10am – 4pm each day

Where: NOVAC, 532 Louisa St.  70117

 

Masterclasses are $195 for non-members // $155 for NOVAC members

 

Buy Tickets Here

 

 

T H A N K Y O U E P N O ! Thanks to a generous grant from Emerging Philanthropists of New Orleans, we are able to offer spring workshops at a reduced price.

[indie film] spring course list is live!

Seminar Series     $32 members / $40 non-members

Seminars are two-hour evening info sessions. 6-8pm. 

March 21: How to Advance Your Entertainment Career in 2019

March 28: Documentary Lab and Grant Landscape  (tickets coming soon, email gigi@novacvideo.org to hold your spot)

May 9: Copyright for Filmmakers

June 6: Narrative Budgeting & Scheduling


101 Series     $48 members / $60 non-members

101 classes are one-day introductory courses. 9am-4pm.

March 14: Infographics 101

March 29: Treatment Writing 101

April 12: Cinematography 101


Masterclasses     $155 members / $195 non-members

Masterclasses are weekend intensives with film-industry veterans, intended for current practitioners to hone the nuances of their craft. 10am – 4pm, Saturday & Sunday.

March 23-24: Production Sound

April 6-7: Advanced Editing

May 18-19: Post Sound


Technical Trainings    $75 members / $95 non-members

Tech Trainings are one-day intensives, to train on advanced and more inaccessible equipment. 10am-5pm.

April 13: Sony FS7

April 14: Arri Alexa

 

 

 

T H A N K  Y O U  E P N O !  Thanks to a generous grant from Emerging Philanthropists of New Orleans, spring workshops are discounted! Check them out at www.emergingphilanthropists.org.

[indie film] Advanced Editing Masterclass

The Advanced Editing Masterclass will cover the concepts and craft of editing. Advanced Editing will take place over the course of two days and provide a more specialized and in-depth look, using Adobe Premiere Pro. 

This class is intended as an advanced course for current practitioners of Adobe Premiere Pro or other editing software.. This is not an appropriate class for those with no experience or those who are looking for an introductory course.

TOPICS DISCUSSED:

  • The evolution of editing styles from early cinema to social media
  • The building blocks of editing: selection, order, rhythm
  • The relationship between shots: graphic, rhythmic, spacial, temporal
  • Types of cuts: continuity, cross-cutting, montage & more
  • The process of editing: assemblies, rough cuts, 1st drafts, 20th drafts, fine cutting
  • Workflow strategies for fiction, documentaries & commercials
  • Advanced timeline techniques
  • Working with music & sound effects
  • Color Correction
  • Logic vs. emotion
  • The power of context
  • When do you cut?
  • Storytelling structure
  • The editor’s worst enemy

 

Brent Joseph is an award-winning writer, director, and editor. He learned his craft by working as an assistant in the cutting rooms of David Fincher, Larry Clark, and Seth Rogen before editing several films including: MTV’s True Life: I’m Living in Iraq (Edward R. Murrow award for Best TV Network News Documentary), Five Time Champion (SXSW) and Shell Shocked (PBS). He directed several shorts including Holdout & A Loud Color which played at over twenty festivals, museums, galleries and universities from Los Angeles to Paris including AFI, Rooftop Films, Full Frame, and the Center for Documentary Studies at Duke University. Brent’s commercial work includes trailers edited for American Horror Story and content for Microsoft and Ford. He works on a variety of projects all connected by their dedication to great storytelling. Brent currently divides his time between Austin, TX and his hometown, New Orleans.

 

When: Saturday & Sunday, April 6-7, 10am-4pm each day

Where: NOVAC, 532 Louisa Street  70117

Tickets are $195 for non-members // $155 for members

Buy Tickets Here

 

 

 

T H A N K  Y O U  E P N O !  Thanks to a generous grant from Emerging Philanthropists of New Orleans, spring workshops have been discounted or fully funded! Check them out at www.emergingphilanthropists.org.

[indie film] Treatment Writing 101

The Big Idea: Taking Film Ideas from Impulse to Action

Do you have a great idea for a narrative or documentary film, but you don’t know what to do next to make it a reality? In Treatment Writing 101, you’ll put ideas into writing by making a treatment, and talk about the next steps one takes towards making these ideas into a reality. Using screenwriting and production strategies to get treatments into shape, instructors Andrea Claire Morningstar and Jasmine Rivera will share a treasure trove of tools for getting the resources you need to move your project forward. Everyone will leave with a treatment for their Big Idea in hand.

Taught by Jasmine Rivera and Andrea Claire Morningstar.

 

When: Friday, March 29th, 9am – 4pm

Where: NOVAC, 532 Louisa St.  70117

Tickets are $48 for members // $60 for non-members

Buy Tickets Here

 

 

T H A N K  Y O U  E P N O !  Thanks to a generous grant from Emerging Philanthropists of New Orleans, spring workshops have been discounted or fully funded! 

[indie film] Production Sound Masterclass

Gain hands-on and anecdotal knowledge about one of the most vital and overlooked departments behind the camera: production sound. Mixer Rachel Grissom (Claws, NCIS, Scream Queens) explains the challenges of mic’ing tricky shots and how to problem solve, as well as providing hands-on training with multi-channel mixing on the Sound Devices 633 Field Production Mixer.

 

Rachel Grissom (CLAWS/TNT) is a New Orleans based filmmaker and production sound professional. In addition to being an accomplished sound mixer and recordist with a long resume, Grissom is also a filmmaker in her own right and writes, directs and produces for film, TV and the web.

 

 

When: Saturday & Sunday, March 23-24, 10am-4pm each day

Where: 532 Louisa St, New Orleans 70117

Masterclasses are $195 for non-members // $155 for members

Buy Tickets Here

 

 

T H A N K  Y O U  E P N O !  Thanks to a generous grant from Emerging Philanthropists of New Orleans, spring workshops have been discounted or fully funded! Check them out at www.emergingphilanthropists.org.

[indie film] get familiar with the Sony FS7

This is a one-day intensive technical course on the Sony FS7, taught by Matt S. Bell.

NOVAC Technical trainings are intended to serve those with filmmaking experience who seek training on more expensive/inaccessible equipment.

 

About the Instructor:
New Orleans based filmmaker Matt S. Bell started his career as a stills photographer, winning a number of awards and quickly gaining a reputation for his unique cinematic work. After completing a Paris-based residency program in 2011, Matt made the transition into motion picture. He has photographed numerous feature films, commercials, and music videos. His feature projects include Sony’s Santa Jaws, Jared Leto’s A Day in the Life of America, and Lifetime’s The Christmas Contract. Matt is slated to make his feature directorial debut in 2019.

 

When: Saturday, April 13th, 10am – 5pm

Where: IATSE 478, 511 N Hennessey St., New Orleans, LA  70119

Tickets are $95 non-members // $75 members

Buy Tickets Here

 

 

T H A N K Y O U E P N O ! Thanks to a generous grant from Emerging Philanthropists of New Orleans, we are able to offer spring workshops at a reduced price.